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Harlequin Goodnight

by Forest Sun

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1.
Be Kind to You What is it about dilapidation that holds such strong fascination? Things fall apart and are broken hearts Keep us coming back for more What is it about self-destruction that claims such a strong alibi? Suffering so cool, the artist and the fool Our own enemies against our allies Won’t you be kind? Be kind to you Won’t you be kind? Be kind to you What are these numbers anyway? Haze in a bucket Fiddlesticks on parade A dawn encrusted raggedy dance of a day Put the words together Trust the details to change Won’t you be kind? Be kind to you Who are you selling this world to? What are you putting yourself through? Why are you settling for making do? When you can have so much more? Won’t you be kind? Be kind to you.
2.
Queen Anne’s Lace Queen Anne’s lace and primrose Got nothing on you babe I’ve see your eyes without their clothes And I didn’t look away, I didn’t look away. When the blossoms sweetness fades When your tongue is tired There’s nothing you need say There’s nothing I require In a lawn of endless green You are one bright yellow dandelion flower Are you glad for what you’ve seen? Are you glad we shared these hours? Are you glad? There’s fruit on every tree Far more then we can eat You share yours with the humming birds I’ll share mine with the bees, I’ll share mine with the bees Does the wind ever go out dancing? Does the day prepare a feast? Does the rain get tired of falling? Does the night ever get to sleep? I love how long the day gets Before the summer starts to wane I love the way our hearts fit In this jigsaw love we’ve made, In this jigsaw love. That sunflower down on the corner Never seems to be afraid I’ve seen it standing there at midnight Seen it waving at daybreak, seen it smiling at daybreak Queen Anne’s lace and primrose Got nothing on you babe I’ve see your eyes without their clothes And I didn’t look away, I didn’t look away.
3.
This Lightning What is it that ‘s got me wondering On this honeysuckle afternoon? Got me looking for dilemma While the evening smiles? Arguing with creation Strung to loose to tune I will be this fortune I do conspire I am this lightning That fast and I’m over So why hold on Why hold on? I am this lightning That fast and I’m over So why hold on Why hold on? All at once and not at all See me fall Sunlight, come on in You don’t need to knock You are welcome here any time of day I’m on the wrong side of the tracks The far side of my brain Heading towards myself on an inbound train.
4.
When you feel that you haven’t done enough See through my eyes, all you are now Say goodbye to that harlequin good night And take a bow All the poetry that whispered in your ears Before the sun broke through the clouds Held you close and quickly disappeared In the face of your solemn vow Did you swear not to make it known? Did you still hope to make it home? Are you waiting till the seeds that you’ve sown, Are all grown? Flight from center, left from God All your worries, treaties and wants Just a wink, perhaps a nod In the shelter of your frozen response How quickly to our minds chase our minds when there is nowhere to go but on How fine the gossamer web intertwines to find the words, to sing the song So when you feel that you haven’t done enough See through my eyes, all you are now Say goodbye to that harlequin good night And take a bow.
5.
Diamond 02:46
Diamond I know a diamond, she thinks she’s hard Doesn’t know how bright she is She looks up wistfully at the stars Doesn’t know what a light she gives And most of the time She leaves herself behind Most of the time, She’s last in line. I know a diamond She thinks she costs But doesn’t see how much she’s worth She’ll give it all, you don’t have to ask She doesn’t know that all this hers And most of the time She leaves herself behind Most of the time She’s last in line And I wonder what would happen If she let her walls come down I wonder what would happen If she let herself be found I know a diamond She thinks she’s hard Doesn’t know how bright she is She dreams of being a falling star Doesn’t know what a light she gives And most of the time She leaves herself behind Most of the time she’s last in line.
6.
Glass of water Glass of water Glass of water by my bed And all this clutter All this clutter in my head It doesn’t matter It doesn’t matter what you did All this chatter All this chatter’s all been said And the madman perched outside my window Sings so sweetly to the sea Last night I slept in the center of the universe With the ocean and rain all around me I woke curled up and cranky Like a newborn All the books on battered bookshelves don’t know They’re not waiting They’re not saying I told you so And my hands know And my hands know you so well And where they go And where they go they won’t tell And the madman perched outside my window Sings so sweetly to the sea Last night I slept in the center of the universe With the ocean and rain all around me I woke curled up and cranky Like a newborn Let the ocean rock you, rock you like a baby Let the ocean rock you Rock you like a baby.
7.
High and Low 03:05
8.
Sometimes my Mind Sometimes my mind is a big bully Always grabbing this moment from my hands Never satisfied, never truly willing How it got so stubborn I refuse to understand. I’ve got a friend who calls me on the road Sings me songs and asks me how I’m doing. I’ve got a friend who makes light of my load She builds me up when I’m in ruins, She builds me up when I’m in ruins. Yellow flowers, a rusty red tin roof, It’s a waking dream, I’m living proof. Will I make ends meet? Will I meet my end? If I meet my maker will he like my friends? I’ve got a friend who calls me when she’s sad. Says she needs some one to make her smile. I’ve got a friend who never calls me back And he’s still my friend though it’s been a while, Yeah it sure has been a while. Sometimes my mind Is an army general stomping around making demands. Though it tries it’s never fully able To lay down that sword and give up command, To ditch the chore of making plans, To stop keeping score with every glance, To dare the floor and really dance.
9.
Gurus and Rockstars Gurus and rockstars, Airports and rental cars Ain’t no time like now to play it out If you’re uncertain, Just why you’re hurtin’ Your heart would like to laugh at your doubt. And the songs that we sing All have dust on their wings And most of our feathers are ruffled No use deciding Just keep on easy riding And keeping your seat belt buckled. If you don’t give a damn Where you go, what you do, or who you are Darlin’ I understand Just get back in the car. Spend our days chasing money, If you don’t laugh, it’s just not funny Trying to be cool when we’re not Late night pancakes and bacon We all feel like were faking Just glad when the miles have stopped And the songs that we sing Still make the bells ring But we fell asleep for the sermon When the preachers did tell Where we’re headed, oh well Hell is just heaven still learning Might as well sing while we’re burning.
10.
11.
Your Horizon 03:15
When death is your horizon And the life within you fades Your sharp tongue carves your destruction From the memories that you’ve made A cavalcade Time alone can heal nothing This line only ravished by the grade Your constant comment is a bludgeon Your currency and trade Retrograde Lay down your burden Lay down your heavy load Every cell is a sun that’s bursting Every cry is a stone in the road Host your honor to a banquet Another feast you will not eat How can you warm your self with a blanket sewn of woes instead of fleece? Where is your peace? Lay down your burden, Lay down your heavy load. Every cell is a sun that’s bursting, Every soul is a note in the code. Forest Sun © 2008

about

"'Harlequin Goodnight' is altogether a quiet joy in a raucous world." John Davy - No Depression

"Coming from San Francisco's Bay Area, it seems only right and fitting that Forest Sun's music should be of a relaxed and sunny disposition. He generally plays gigs with just himself, his acoustic guitar and his sidekick Ingrid Serban to provide the sweetest backing vocals. For this recording there's not a whole lot added to the sound, really, or perhaps I should say that for the most part the addition of drums, keyboards and bass manage to enhance his sound without fundamentally changing it.`

Occasionally a cello comes in strongly to give some sombre depth to the music but mostly it's Forest Sun's own fine style on the acoustic guitar that defines things. He plays like a real folkie, able to pick notes, strum chords and slap the strings or the box (sometimes, it seems, all simultaneously) - ever conscious of the thread of music in his head but always, somehow, at ease and relaxed.

Forest seems to be one of those fortunate people (and I reckon they generally live in benign climates) who carries an air of unworried, unflustered ease with him and this is carried into his music. His songs flow easily and beautifully even when dealing with serious and poignant subject matter.

Comparisons are apparently made with Jack Johnson, which is fair enough up to a point; he certainly sings with a genial smile in his voice a lot of the time. I feel there's a bit more meat on the bones with Forest Sun though; there are echoes of Paul Simon and 60s American folk and to be honest I can't quite put my finger on why this appeals to me rather more than , say, Jack Johnson's approach. Maybe it feels more thought through - lyrically and musically - and altogether more serious of intent. Maybe it's just an age thing.

Anyway, it's no real surprise in the context of his own songs that his one cover here is Dylan's 'She Belongs To Me'. It's a very fine version, too, slightly slower and more soulful than Dylan's original and with Forest's band making a lovely sound not a million miles away from The Band. This song probably gets about the fullest sound of anything on the album but then Forest closes off with the quiet beauty of 'Your Horizon', just his own warm singing and an acoustic guitar to bring out the warmth of fellow feeling in the lyric.

It's one of those album closers that's enough to make you play the whole thing through again.

credits

released November 10, 2016

Steve Adams - upright and acoustic bass
Michael Messer - drums
Forest Sun - vocals, guitar, Wurlitzer (1), piano, drums (10)
Jonathan Sundeen-electric bass (10)
Matt Henry Cunitz- hammond organ (6)
Trevor Wheetman - hammond organ (10)
David Phillips- dobro (7)
Michael Kott-cello (4)
Sean Hayes-vocals (2)
Larkin Gayl-vocals (1,6)
Joy Voeth-vocals (5)
Zach Blizzard-vocals (3)
Michael Winger- wurlitzer (5), e-bowed acoustic guitar (2)

Copyright 2007 forestsunmusic BMI

Produced by Michael Winger and Forest Sun Engineered and Mixed by Michael Winger
Mastered by Mike Wells
Recorded at Flying Kitchen Studios,
San Francisco, CA
Except track (10) recorded at Sage Art Studios Arlington, WA engineered by Mathew Gephardt
Cello on track (4) recorded at 4th world studios in Santa Fe, NM engineered by Bill Boaz,

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Forest Sun San Francisco, California

San Francisco Bay Area troubadour and award winning songwriter, Forest Sun has regaled audiences around the globe with his wealth of songs and stories, all sung and told with back porch ease and bonhomie. Sun's music has been compared to everyone from Jack Johnson, The Avett Brothers and John Mayer to Van Morrison and Bob Dylan, but his unique style is entirely his own.
more on www.forestsun.com
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